We and our partners use technologies, such as cookies, to recognize you and show you more of what you like. Please read our Privacy Policy to learn more. By using this website you agree to the use of those technologies.
I agree.
Unfortunately I was limited with my time and freedom, so I wasn't able to explore as much as I would have wanted. But I should be back there this winter so I intend to add a few shots to this album, probably with a different camera!
One of the most creative Lomographers in our community, @hodachrome, guides us through the step-by-step of a unique technique called EBS ("Exposing Both Sides").
My version of EBS (exposing oth sides). I added a pinhole camera to the back of a regular camera, then added two masks inside the camera to diveide the image evenly between redscale pinhole and regular picture. I'm amazed at how well this actually worked!
My version of EBS (exposing oth sides). I added a pinhole camera to the back of a regular camera, then added two masks inside the camera to diveide the image evenly between redscale pinhole and regular picture. I'm amazed at how well this actually worked!
My version of EBS (exposing oth sides). I added a pinhole camera to the back of a regular camera, then added two masks inside the camera to diveide the image evenly between redscale pinhole and regular picture. I'm amazed at how well this actually worked!
My version of EBS (exposing oth sides). I added a pinhole camera to the back of a regular camera, then added two masks inside the camera to diveide the image evenly between redscale pinhole and regular picture. I'm amazed at how well this actually worked!
My version of EBS (exposing oth sides). I added a pinhole camera to the back of a regular camera, then added two masks inside the camera to diveide the image evenly between redscale pinhole and regular picture. I'm amazed at how well this actually worked!
My version of EBS (exposing oth sides). I added a pinhole camera to the back of a regular camera, then added two masks inside the camera to diveide the image evenly between redscale pinhole and regular picture. I'm amazed at how well this actually worked!
I love this film! I bought 20 rolls for £5! I have never seen duplicating film before (heard of it though) so was really excited to find them. There is no indication on the film to what ISO rating the film is. I checked online and no-one seems to be sure - some said it was 8 and others said 32! I played it safe and set the ISO to 25. Did I mention I love this film?
This was the first time I tried to do something seriously with a black and white film. Took my time with settings and what I had in mind. Only before rewinding my film I forgot to release the film and my oh my was I being a savage and ripped about 5 cm of sprockets in the process...hence film not scannable , Oh hey there learning curve!
This was the first time I tried to do something seriously with a black and white film. Took my time with settings and what I had in mind. Only before rewinding my film I forgot to release the film and my oh my was I being a savage and ripped about 5 cm of sprockets in the process...hence film not scannable , Oh hey there learning curve!
This was the first time I tried to do something seriously with a black and white film. Took my time with settings and what I had in mind. Only before rewinding my film I forgot to release the film and my oh my was I being a savage and ripped about 5 cm of sprockets in the process...hence film not scannable , Oh hey there learning curve!
This was the first time I tried to do something seriously with a black and white film. Took my time with settings and what I had in mind. Only before rewinding my film I forgot to release the film and my oh my was I being a savage and ripped about 5 cm of sprockets in the process...hence film not scannable , Oh hey there learning curve!
It’s the original encounters, which unfolds the most energy and evokes the strongest feelings! There's nothing quite like finding a film that has its own secrets and leaves you guessing. Such is the Kodak Vericolor Slide Film, a sensation in blue and black.
Half in France, Half in London. Most of those photos feel most private and centered on my personal life and sweet nothings than my usual ones, which i find is well rendered by tungsten warmth...
Half in France, Half in London. Most of those photos feel most private and centered on my personal life and sweet nothings than my usual ones, which i find is well rendered by tungsten warmth...
Half in France, Half in London. Most of those photos feel most private and centered on my personal life and sweet nothings than my usual ones, which i find is well rendered by tungsten warmth...
Half in France, Half in London. Most of those photos feel most private and centered on my personal life and sweet nothings than my usual ones, which i find is well rendered by tungsten warmth...
Earlier this spring I made a triple project with myself.
The first layer is double exposures of nature scenes, and the second layer is random picts from Norrtelje and Stockholm.
Everything is exposed with ISO 400
Earlier this spring I made a triple project with myself.
The first layer is double exposures of nature scenes, and the second layer is random picts from Norrtelje and Stockholm.
Everything is exposed with ISO 400
