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Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo of Zoe Ko shot by Zayira Ray. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo of Leevibel by Geoffrey Yahya Vargas. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo by Khalil Kwok. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo of Zoe Ko shot by Zayira Ray. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo by Harimao Lee. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo by Khalil Kwok. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo by Harimao Lee. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo by Khalil Kwok. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Designed for full-frame mirrorless camera in Canon RF, Sony E and Nikon Z mounts, the new Petzval 55 mm f/1.7 features refined optics, dual aperture system, bokeh control, and a completely redesigned interface. Photo of Zachary Tye Richardson shot by Birgit Buchart. Shop yours here: https://shop.lomography.com/lenses/petzval-55-art-lens
Kodak Brownie Hawkeye - Flipped lens with Lomochrome Purple - see https://www.lomography.com/magazine/114289-flipping-over-the-brownie-hawkeye-advanced-lomographic-techniques-with-americas-favorite-camera by @KDSTEVENS
Kodak Brownie Hawkeye - Flipped lens with Lomochrome Purple - see https://www.lomography.com/magazine/114289-flipping-over-the-brownie-hawkeye-advanced-lomographic-techniques-with-americas-favorite-camera by @KDSTEVENS
Kodak Brownie Hawkeye - Flipped lens with Lomochrome Purple - see https://www.lomography.com/magazine/114289-flipping-over-the-brownie-hawkeye-advanced-lomographic-techniques-with-americas-favorite-camera by @KDSTEVENS
Kodak Brownie Hawkeye - Flipped lens with Lomochrome Purple - see https://www.lomography.com/magazine/114289-flipping-over-the-brownie-hawkeye-advanced-lomographic-techniques-with-americas-favorite-camera by @KDSTEVENS
Holga 120 N camera with Ilford Delta 3200 pushed one stop when developing. I had a Pocket Wizard on the hot shoe of the Holga control one Alien Bee B800 with a medium sized Octobox (basically one studio light). It really was a blast controlling a studio light with a Holga!
It's a bird! ... No, it's a plane! ... Hey wait, is that a dog? Uh-huh, looks like it is one jumping (or flying) in the air! And in this fancy moment, why not take a Lomograph? Make it redscale, too! (POTD 04.16.12)
Expose lower half first, and set a tripod upside down and expose upper half in the same way as 1st shot.
To turn tripod 180 degrees, I used two panheads.
About 10 seconds each. Using a cable release and black adhesive tape (to mask the light sensor of LC-A+). Vivid blue or purple colours are by trucks decorated with light bulbs. Needed patience and concentration...
