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Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. The choice of Sunbath film was more than appropriate, and I did well to bring my 300mm zoom.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. The choice of Sunbath film was more than appropriate, and I did well to bring my 300mm zoom.
We spent the Ascension weekend on the shores of the superb Serre-Ponçon lake, in the Hautes-Alpes. Here is the third album: photos taken with my #Minolta CLE and #Lomography #ColorNegative 100 film. These few photos show the place where we stayed, with a pretty little flowered terrace overlooking the lake.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. The choice of Sunbath film was more than appropriate, and I did well to bring my 300mm zoom.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. The choice of Sunbath film was more than appropriate, and I did well to bring my 300mm zoom.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. The choice of Sunbath film was more than appropriate, and I did well to bring my 300mm zoom.
First album ever with Druopta Pionýr II, which my neighbour borrowed me. The camera was made in Czechoslovakia in 1962. Shot with Lomography Lady Grey 400. The camera has two apertures, probably f8 and f11 or f16 (I'm not sure), shutter speed 1/100 and B mode. Format is 6×6 or 4.5×6. Another plastic wonder. :)
Thai street photographer Amp Puttipong tests our brand new Lomomatic 110 camera. He makes full use of the Lomomatic’s many creative features, and rediscovers the charm of the 110 format. Check out his photos and read about his first impressions!
There is a strong debate around the subject of post-production and editing our analogue photos. Some believe in the purity of film photography while others consider editing an integral part of their work. Which side are you on?
Using the Pentax Auto 110 with some long-expired Prang Way (store brand, unknown manufacturer) ASA 400 color film developed in Rodinol 1+50 for 15 minutes. Used a custom 110 real for a Patterson tank 3D printed by the fine folks at Film Stuff Lab. The spots are likely due to derteriorating paper. The Pentax Auto 110 is a nice little camera. Looking forward to putting some fresh BW 110 film through it.
Using the Pentax Auto 110 with some long-expired Prang Way (store brand, unknown manufacturer) ASA 400 color film developed in Rodinol 1+50 for 15 minutes. Used a custom 110 real for a Patterson tank 3D printed by the fine folks at Film Stuff Lab. The spots are likely due to derteriorating paper. The Pentax Auto 110 is a nice little camera. Looking forward to putting some fresh BW 110 film through it.
