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I got a few shot, but unprocessed rolls together with a bigger deal of expired film. This is the roll, that actually worked, although the film was very old.
I got a few shot, but unprocessed rolls together with a bigger deal of expired film. This is the roll, that actually worked, although the film was very old.
I got a few shot, but unprocessed rolls together with a bigger deal of expired film. This is the roll, that actually worked, although the film was very old.
This is the view when I was on the go to my grandfather's hometown for the first time. We were stuck in this area called Nagreg, suburb before Garut, West Java, Indonesia, South East Asia, for about one hour. No wonder, because we trip at "Mudik" time. Mudik is the only Indonesian tradition, it's the time when most of moslem in Indonesia who live at other city/country, came back to their hometown. Usually it happen one week before 'Aidil Fitri, Islamic big day after one month fasting at Ramadhan month.
License this photo on Getty Images... http://www.gettyimages.com/detail/photo/blue-manhattan-mirror-sky-line-reflection-high-res-stock-photography/155082632?esource=en-us_flickr_photo&language=en-US
Tiger sculpture on jalan Wastu Kantjana, Bandung, West Java, Indonesia, South East Asia, Earth 🌏 that was made by Nyoman Nuarta, Balinese sculpture artist, who lived in Setra Duta about hundred step from my home. Nyoman Nuarta who studied at the faculty of art Institut Teknologi Bandung are the same sculpturist who made Garuda Wisnu Kencana, the tallest sculpture in the world, which located in his hometown Bali
i made two mistakes:
...first i left the lubitel in B-Mode and took the first picture.
...then i forgot to transport the film to the new frame and took the next picture...wääääähhhh....
...Now, it is my favorite picture;-)
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
I love to experiment and create interesting images rather than technically accurate photographs. This film soup was made by adding 2 cups of Asda Moonflower and Ylang Ylang washing powder to a bowl of tepid water. I dropped 2 films in and left them over night. I removed the films and transferred them to the airing cupboard for a further 2 days. The films were then left degrading in my room for about a month before I got round to shooting them. Before shooting I just used my hairdryer and dark bag to give them a quick blast. Despite the drying time the films had a stickiness too them which didn't really go. I shot this film once on my LC-Wide of images of Street Art in the Brick Lane and Shoreditch area of East London. I then transferred the film to my Pentax ME Super and shot the dinosaur exhibits at the Natural History Museum. When the film was finished I rewound, however to my dismay the film had come off the spool and I exposed it to the light. It took me a minute to get the back on before I considered most of the film had been destroyed. I don't know if these neon colours are as a result of the soup or my light leak. I find with the Pentax ME Super the film is wound so loose that a great deal of light may have penetrated this film. I have another film to develop from this batch so I will confirm the outcome after my next batch of processing which had no light leaks!
