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One of the very first rolls I shot with my favorite point&shoot: the Minolta Weathermatic 35DL.
Waterproof, underwater (to a certain extent), dual lens, and only takes DX-coded 100/400 ISO film.
It may not be the highest-performing camera out there, but it always gets the job done — and I’m happy with the results. Portra is always a safe bet, even in the harsh midday light.
I’ve tested all three Candido films — 200, 400, and 800 ISO — and I’ve always been satisfied, but the 800 surprised me the most, in a good way.
You’ll get the classic red halations in the first few frames (a nod to cine-style film lovers), but overall, the results are genuinely impressive.
It’s a great match for urban night scenes, vintage or experimental vibes, and neon or tungsten lighting.
The grain is noticeable — as expected from an 800 ISO stock — but never overwhelming or unpleasant.
On this nighttime winter walk around Turin, the Candido 800 really showed what it can do, making the most of every bit of artificial light.
I’ve tested all three Candido films — 200, 400, and 800 ISO — and I’ve always been satisfied, but the 800 surprised me the most, in a good way.
You’ll get the classic red halations in the first few frames (a nod to cine-style film lovers), but overall, the results are genuinely impressive.
It’s a great match for urban night scenes, vintage or experimental vibes, and neon or tungsten lighting.
The grain is noticeable — as expected from an 800 ISO stock — but never overwhelming or unpleasant.
On this nighttime winter walk around Turin, the Candido 800 really showed what it can do, making the most of every bit of artificial light.
