We and our partners use technologies, such as cookies, to recognize you and show you more of what you like. Please read our Privacy Policy to learn more. By using this website you agree to the use of those technologies.
I agree.
Sorry Santa, just could not seem to make it work this time. I have a feeling the shots in the environments with a lot of red would look great, maybe also expired
We all have insecurities, no matter who we are. I grew up undiagnosed autistic, and could never tell whether people liked me. But I learned early on that I was pretty enough to be included, and I leaned on that, believing my face and my body had value that could keep me afloat. It was year 33 when that veil started to slip off and I had to learn to reconnect with my body as vessel, for myself and not others. My body as a place where I'm safe. My body as sexuality. My body as a conscious part of me more connected to my unconscious than I'd ever been. I had to start listening to her again. /// But the old insecurities creep in. As women, we're taught to degrade each other to make ourselves feel secure. There's no one better than another woman to find our weaknesses. I'm thankful to all the women who've found mine so I can heal them, and to the women who support that healing process. May we all learn to appreciate our little meat suits. /// Dysmorphia explores the feelings of tearing down and rebuilding, navigating the body and its boundaries. The titles all use the gerund form. Gerunds-- usually verbs ending in -ing--- are verbs that have put on a noun-suit. No longer the action of the sentence, but the object. To be an American woman is to know intimately the state of objectification and the ways prolonged objecthood can damage our sense of self and personhood within our body.
We all have insecurities, no matter who we are. I grew up undiagnosed autistic, and could never tell whether people liked me. But I learned early on that I was pretty enough to be included, and I leaned on that, believing my face and my body had value that could keep me afloat. It was year 33 when that veil started to slip off and I had to learn to reconnect with my body as vessel, for myself and not others. My body as a place where I'm safe. My body as sexuality. My body as a conscious part of me more connected to my unconscious than I'd ever been. I had to start listening to her again. /// But the old insecurities creep in. As women, we're taught to degrade each other to make ourselves feel secure. There's no one better than another woman to find our weaknesses. I'm thankful to all the women who've found mine so I can heal them, and to the women who support that healing process. May we all learn to appreciate our little meat suits. /// Dysmorphia explores the feelings of tearing down and rebuilding, navigating the body and its boundaries. The titles all use the gerund form. Gerunds-- usually verbs ending in -ing--- are verbs that have put on a noun-suit. No longer the action of the sentence, but the object. To be an American woman is to know intimately the state of objectification and the ways prolonged objecthood can damage our sense of self and personhood within our body.
We all have insecurities, no matter who we are. I grew up undiagnosed autistic, and could never tell whether people liked me. But I learned early on that I was pretty enough to be included, and I leaned on that, believing my face and my body had value that could keep me afloat. It was year 33 when that veil started to slip off and I had to learn to reconnect with my body as vessel, for myself and not others. My body as a place where I'm safe. My body as sexuality. My body as a conscious part of me more connected to my unconscious than I'd ever been. I had to start listening to her again. /// But the old insecurities creep in. As women, we're taught to degrade each other to make ourselves feel secure. There's no one better than another woman to find our weaknesses. I'm thankful to all the women who've found mine so I can heal them, and to the women who support that healing process. May we all learn to appreciate our little meat suits. /// Dysmorphia explores the feelings of tearing down and rebuilding, navigating the body and its boundaries. The titles all use the gerund form. Gerunds-- usually verbs ending in -ing--- are verbs that have put on a noun-suit. No longer the action of the sentence, but the object. To be an American woman is to know intimately the state of objectification and the ways prolonged objecthood can damage our sense of self and personhood within our body.
We all have insecurities, no matter who we are. I grew up undiagnosed autistic, and could never tell whether people liked me. But I learned early on that I was pretty enough to be included, and I leaned on that, believing my face and my body had value that could keep me afloat. It was year 33 when that veil started to slip off and I had to learn to reconnect with my body as vessel, for myself and not others. My body as a place where I'm safe. My body as sexuality. My body as a conscious part of me more connected to my unconscious than I'd ever been. I had to start listening to her again. /// But the old insecurities creep in. As women, we're taught to degrade each other to make ourselves feel secure. There's no one better than another woman to find our weaknesses. I'm thankful to all the women who've found mine so I can heal them, and to the women who support that healing process. May we all learn to appreciate our little meat suits. /// Dysmorphia explores the feelings of tearing down and rebuilding, navigating the body and its boundaries. The titles all use the gerund form. Gerunds-- usually verbs ending in -ing--- are verbs that have put on a noun-suit. No longer the action of the sentence, but the object. To be an American woman is to know intimately the state of objectification and the ways prolonged objecthood can damage our sense of self and personhood within our body.
Distressing some c-41 negatives! #Distressed with various common #chemicals you’d find underneath your kitchen sink. Also I was gifted a new scanner for my bday🥳..(saying this because I uploaded some of these same negatives as is,not inverted)and so now their colors are correct, finally seeing parts of images in some 🤭
Been testing out this little #experiment with faux #multipleexposures / #doubleexposures simply by #printing out one of my images onto another already made #print. Or, I’ll dig through the old family album and pick a random image from the 80’s-90’s, and print on top of them as well. #alternative #alternativephotography #alternativeprocess #experimental #labrats #labrat #inkjet #faux
Been testing out this little #experiment with faux #multipleexposures / #doubleexposures simply by #printing out one of my images onto another already made #print. Or, I’ll dig through the old family album and pick a random image from the 80’s-90’s, and print on top of them as well. #alternative #alternativephotography #alternativeprocess #experimental #labrats #labrat #inkjet #faux
I'm a big fan of Cokin filters. Mostly because I was given so many and so many of their promotional booklets. They have all kinds of filters for doing multiple exposures. The one I used here is the Double Mask A 342. Two filters One with a black dot on clear resin. The other a All black filter is a little hole. In the booklets they recommend (in the 80's) you take a projector and photo graph slides you already had in order to create special effects. I just used a 32" screen.
fotobes and la fille renne (www.lomography.com/homes/lafilledeer) filmswap: LC-A+ and Zenit-E 50mm f/1.8, fuji velvia 100, x-pro (model: sabrina sako (http://instagram.com/sabrinasako)
fotobes and la fille renne (www.lomography.com/homes/lafilledeer) filmswap: LC-A+ and Zenit-E 50mm f/1.8, fuji velvia 100, x-pro (model: spooky valentine (http://spookyvalentine.tumblr.com))
