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First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
First exposure by @bluebear in Switzerland with Lomo Fisheye. Second exposure by @klawe in Germany, with a Minolta X700 with Minolta RF Rokkor 500mm f/8 mirror lens. Developed in Digibase C41, 45°C for 2 minutes
Double exposures can create an alternate perception of reality and truly unique results. You can get amazing doubles simply by chance, but you might increase your chances of getting truly satisfying results if you plan a little bit in advance. I'll leave you with my tips for successfully creating double exposures, just after the jump!
On the top of Montserrat, you really have to take a rest and breath. The elevation is so high the average European wouldn't be used to the thin air - it's a challenge. I went with Caro and on the stairs of the monastery I met Laura and her brothers. we chatted as far as it went with our limited language skills from english to spanish. This Purple was a fatty, with quite a bit of like leaks. It's fun sometimes...
On the top of Montserrat, you really have to take a rest and breath. The elevation is so high the average European wouldn't be used to the thin air - it's a challenge. I went with Caro and on the stairs of the monastery I met Laura and her brothers. we chatted as far as it went with our limited language skills from english to spanish. This Purple was a fatty, with quite a bit of like leaks. It's fun sometimes...
It is the story of a day when our cat was ready to have a portrait taken, where the sky was very gray, where I wanted a nod to the country dear to my heart, Burkina Faso, and where I took a picture of the #Cord47 camera, with which I had an interesting experiment a few days earlier. And I finished this film in the evening, just before taking the aperitif! A new album made with the fantastic #Kowa SIX camera, given by my brother last Christmas.
It is the story of a day when our cat was ready to have a portrait taken, where the sky was very gray, where I wanted a nod to the country dear to my heart, Burkina Faso, and where I took a picture of the #Cord47 camera, with which I had an interesting experiment a few days earlier. And I finished this film in the evening, just before taking the aperitif! A new album made with the fantastic #Kowa SIX camera, given by my brother last Christmas.
It is the story of a day when our cat was ready to have a portrait taken, where the sky was very gray, where I wanted a nod to the country dear to my heart, Burkina Faso, and where I took a picture of the #Cord47 camera, with which I had an interesting experiment a few days earlier. And I finished this film in the evening, just before taking the aperitif! A new album made with the fantastic #Kowa SIX camera, given by my brother last Christmas.
Visit to the Schorfheide wildlife park on a foggy Sunday. The last photos were taken at the Karower Teichen in Berlin.
I used a Kodak Tmax 3200 and exposed it to ISO 1600.
Homeprocess in Fomadon P stock for 14.5 minutes
Stretching between worlds - a few snaps of each on one roll of Film. My friend @vicuna came visiting hamburg, so I showed him places - we got lucky with the light and weather. Marina looked Fab in her housewive outfit for our commercial shooting for an insurance company. And then I took my plane to Beijing and eventually to North Korea...
Stretching between worlds - a few snaps of each on one roll of Film. My friend @vicuna came visiting hamburg, so I showed him places - we got lucky with the light and weather. Marina looked Fab in her housewive outfit for our commercial shooting for an insurance company. And then I took my plane to Beijing and eventually to North Korea...
In 1801 there was a 100 people living here. In 1867, because of the good money people made in the herringfisheries in the 19th century, it had increased to 1357 inhabitants. In 1.1.2013 there was 3327 inhabitants in Skudeneshavn. If you look at the houses they are all whitepainted. That is a sign of a bit of wealth. Those with the least money only painted the facade white and the back of their house orange or red to save a little bit of money. It's a similar story with the roof. On the facade side: expensive tiles and cheaper ones on the backside.
In 1801 there was a 100 people living here. In 1867, because of the good money people made in the herringfisheries in the 19th century, it had increased to 1357 inhabitants. In 1.1.2013 there was 3327 inhabitants in Skudeneshavn. If you look at the houses they are all whitepainted. That is a sign of a bit of wealth. Those with the least money only painted the facade white and the back of their house orange or red to save a little bit of money. It's a similar story with the roof. On the facade side: expensive tiles and cheaper ones on the backside.
In 1801 there was a 100 people living here. In 1867, because of the good money people made in the herringfisheries in the 19th century, it had increased to 1357 inhabitants. In 1.1.2013 there was 3327 inhabitants in Skudeneshavn. If you look at the houses they are all whitepainted. That is a sign of a bit of wealth. Those with the least money only painted the facade white and the back of their house orange or red to save a little bit of money. It's a similar story with the roof. On the facade side: expensive tiles and cheaper ones on the backside.
In 1801 there was a 100 people living here. In 1867, because of the good money people made in the herringfisheries in the 19th century, it had increased to 1357 inhabitants. In 1.1.2013 there was 3327 inhabitants in Skudeneshavn. If you look at the houses they are all whitepainted. That is a sign of a bit of wealth. Those with the least money only painted the facade white and the back of their house orange or red to save a little bit of money. It's a similar story with the roof. On the facade side: expensive tiles and cheaper ones on the backside.
