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Hitting school number three was maybe one of the more iconic for me in the chernobyl exclusion zone. Discovering the gas masks on the top floor was just a great testament, of what had happenend in the last moments before the evacuation. Within the building it was really tough to expose right, as it was so dark. And you cannot expose a frame forever holding it in your hand, so you have to compromise...
Hitting school number three was maybe one of the more iconic for me in the chernobyl exclusion zone. Discovering the gas masks on the top floor was just a great testament, of what had happenend in the last moments before the evacuation. Within the building it was really tough to expose right, as it was so dark. And you cannot expose a frame forever holding it in your hand, so you have to compromise...
Hitting school number three was maybe one of the more iconic for me in the chernobyl exclusion zone. Discovering the gas masks on the top floor was just a great testament, of what had happenend in the last moments before the evacuation. Within the building it was really tough to expose right, as it was so dark. And you cannot expose a frame forever holding it in your hand, so you have to compromise...
Hitting school number three was maybe one of the more iconic for me in the chernobyl exclusion zone. Discovering the gas masks on the top floor was just a great testament, of what had happenend in the last moments before the evacuation. Within the building it was really tough to expose right, as it was so dark. And you cannot expose a frame forever holding it in your hand, so you have to compromise...
Hitting school number three was maybe one of the more iconic for me in the chernobyl exclusion zone. Discovering the gas masks on the top floor was just a great testament, of what had happenend in the last moments before the evacuation. Within the building it was really tough to expose right, as it was so dark. And you cannot expose a frame forever holding it in your hand, so you have to compromise...
When we went to the abandonded Saturn factory in Pripyat I had some iconic moments. The premise was intended to produce typewriters, there have also been some early computer keyboards, which were a rare commodity in the soviet block. Within the building was a smal dark room with a safe with radioactive warning signs. We had to lit it for me to superexpose for a minute. It's unclear for what this chamber was intended...
When we went to the abandonded Saturn factory in Pripyat I had some iconic moments. The premise was intended to produce typewriters, there have also been some early computer keyboards, which were a rare commodity in the soviet block. Within the building was a smal dark room with a safe with radioactive warning signs. We had to lit it for me to superexpose for a minute. It's unclear for what this chamber was intended...
When we went to the abandonded Saturn factory in Pripyat I had some iconic moments. The premise was intended to produce typewriters, there have also been some early computer keyboards, which were a rare commodity in the soviet block. Within the building was a smal dark room with a safe with radioactive warning signs. We had to lit it for me to superexpose for a minute. It's unclear for what this chamber was intended...
When we went to the abandonded Saturn factory in Pripyat I had some iconic moments. The premise was intended to produce typewriters, there have also been some early computer keyboards, which were a rare commodity in the soviet block. Within the building was a smal dark room with a safe with radioactive warning signs. We had to lit it for me to superexpose for a minute. It's unclear for what this chamber was intended...
When we went to the abandonded Saturn factory in Pripyat I had some iconic moments. The premise was intended to produce typewriters, there have also been some early computer keyboards, which were a rare commodity in the soviet block. Within the building was a smal dark room with a safe with radioactive warning signs. We had to lit it for me to superexpose for a minute. It's unclear for what this chamber was intended...
Last August I was in Antwerp to film a crew of fireworkers at the Port. Didn't have mucho timo to take pictures, it came down to one or two rolls. But I could get a glimpse of a devilish port worker, who I asked for a portrait. And not to forget, Zaha Hadid just passed away and it was her last work the Port House Antwerp, the crystal, to be opened very soon at that point. Greta, that I could get a first view on it.
Last August I was in Antwerp to film a crew of fireworkers at the Port. Didn't have mucho timo to take pictures, it came down to one or two rolls. But I could get a glimpse of a devilish port worker, who I asked for a portrait. And not to forget, Zaha Hadid just passed away and it was her last work the Port House Antwerp, the crystal, to be opened very soon at that point. Greta, that I could get a first view on it.
Last August I was in Antwerp to film a crew of fireworkers at the Port. Didn't have mucho timo to take pictures, it came down to one or two rolls. But I could get a glimpse of a devilish port worker, who I asked for a portrait. And not to forget, Zaha Hadid just passed away and it was her last work the Port House Antwerp, the crystal, to be opened very soon at that point. Greta, that I could get a first view on it.
Last August I was in Antwerp to film a crew of fireworkers at the Port. Didn't have mucho timo to take pictures, it came down to one or two rolls. But I could get a glimpse of a devilish port worker, who I asked for a portrait. And not to forget, Zaha Hadid just passed away and it was her last work the Port House Antwerp, the crystal, to be opened very soon at that point. Greta, that I could get a first view on it.
One of the remarkable personal encounters in the exclusion zone was meeting Ivan Ivanwitsch. A illegal setltlers in his early 70ies. After the evacuation he always returned and stayed in the zone with his wife, who recently passed away. Now he is living in the autumn of his life in the garden he works on and in the house he built with his own hands...
One of the remarkable personal encounters in the exclusion zone was meeting Ivan Ivanwitsch. A illegal setltlers in his early 70ies. After the evacuation he always returned and stayed in the zone with his wife, who recently passed away. Now he is living in the autumn of his life in the garden he works on and in the house he built with his own hands...
One of the remarkable personal encounters in the exclusion zone was meeting Ivan Ivanwitsch. A illegal setltlers in his early 70ies. After the evacuation he always returned and stayed in the zone with his wife, who recently passed away. Now he is living in the autumn of his life in the garden he works on and in the house he built with his own hands...
One of the remarkable personal encounters in the exclusion zone was meeting Ivan Ivanwitsch. A illegal setltlers in his early 70ies. After the evacuation he always returned and stayed in the zone with his wife, who recently passed away. Now he is living in the autumn of his life in the garden he works on and in the house he built with his own hands...
When we visitied Luba, who is an illegal settler in the Chernobyl Exclusion Zone, she was busy destiling her own Horilka, the Ukrainian Wodka. I snapped briefly in a very dark wooden shed, which was the epicenter of booze. We later tried it and it was pretty good...
When we went to Bussi Island with Muhammad Yunus we met the lovely crew around Jali organic, who produce dried fruits. White hats met colourful shirts...
When we went to Bussi Island with Muhammad Yunus we met the lovely crew around Jali organic, who produce dried fruits. White hats met colourful shirts...
When we went to Bussi Island with Muhammad Yunus we met the lovely crew around Jali organic, who produce dried fruits. White hats met colourful shirts...
When we went to Bussi Island with Muhammad Yunus we met the lovely crew around Jali organic, who produce dried fruits. White hats met colourful shirts...
When we went to Bussi Island with Muhammad Yunus we met the lovely crew around Jali organic, who produce dried fruits. White hats met colourful shirts...
I could get a little closer to reactor No.4 with my Plaubel Makina. Also the colours have been a bit more realistic with my crossprocessed Ektachrome 64T. Above all is the mythical figure of wormwood, which stands for punishment of bilblical proportions...
I could get a little closer to reactor No.4 with my Plaubel Makina. Also the colours have been a bit more realistic with my crossprocessed Ektachrome 64T. Above all is the mythical figure of wormwood, which stands for punishment of bilblical proportions...
I took me some time to work on this album, which was shot more then two years ago. But considering the old adriatic architecture of the croatian island of Korcula a few years don't realy make a difference...
I took me some time to work on this album, which was shot more then two years ago. But considering the old adriatic architecture of the croatian island of Korcula a few years don't realy make a difference...
I took me some time to work on this album, which was shot more then two years ago. But considering the old adriatic architecture of the croatian island of Korcula a few years don't realy make a difference...
I took me some time to work on this album, which was shot more then two years ago. But considering the old adriatic architecture of the croatian island of Korcula a few years don't realy make a difference...
I took me some time to work on this album, which was shot more then two years ago. But considering the old adriatic architecture of the croatian island of Korcula a few years don't realy make a difference...
